Monday, October 15, 2012

Paint by Number

Here it is, that thing that gets me into trouble. That wandering mind. The brain that refuses to accept the fact that a post entitled "Great Plains Puppet Train- Part One" requires at least a "Great Plains Puppet Train - Part Two." It requires a description of the wonderful Children's Festival that Monica Leo and her friends put on every year. The Children's festival is accompanied by puppet shows in the New Strand Theatre. I have mingled with the children and was delighted with their creativity. I watched some of the puppet shows and have laughed out loud.













On Sunday there is my morning walk to the West Liberty High School along a beautiful bike path, past community gardens and a grouping of exercise equipment. All this should be mentioned too. Along with the extreme coffee assortment at Local Grounds. And maybe I should refer to the Barn Dance I witnessed but did not participate in. The young Indonesian puppeteers from the Moonlight Puppet Theatre had a great time.









A review of their fascinating performance of Mwathirika is a must. Mwathirika tells about genocide and loss and grief. It makes me cry as I hug the young woman who is the author of this story of war and family tragedy. As I look around me after the show, the High School auditorium is filled with puppeteers and local citizens who are moved to the core.






The brain that has experienced all these events and believes it has absorbed what it wants and no longer desires to bring thoughts relating to Part Two to my attention, that brain has moved on to a Paint by Number set of a Japanese Garden.

Somewhere in my notes it says that Mariela requires three backdrops for her confessions/performances.
A dreamscape moderated in shades of pink. A pink bed with pink and white pillows. A white nightstand and chair. A white pink-striped wall, a large floor-length window that leads to......a Japanese Garden. And white gauzy curtains to both sides, fluttering in the wind.
A Nightmare, expressed by dark and scary-looking monsters in a grey, disturbing, hopeless outdoor setting. It should reflect some of my own nightmares of getting lost in a wilderness and not being able to find my way back, even though there are doors everywhere and sometimes even people to ask for directions.
A reality check. Dr. Steinfeld's modern office with small old-style velvet sofa, some plants, a window that opens to A lovely garden, and an indoor tree for the good doctor. He likes standing under a tree. It gives him insight. Since the reality check includes light moments of a dreamy quality there should also be a small patch of nightmares to ponder. Maybe a big, ugly and dangerous dog who, because he belongs to a scene with a psychologist, can be befriended and tamed.

For now I am working on the dreamscape. It is a Japanese Garden that comes with one brush, 24 paint pots, and a preprinted (with tiny numbers) art board.
My friends are polite, not quite scolding me for buying a paint by number set, but letting me know that I am expected to come up with an original.
"Your mother would not approve of this."
"You paint well yourself, without numbers."
They cast a quick look at the scene, then change the subject.

I try to explain. Certainly there is no artistic value in trying to stay within lines. I have to wear glasses, use a magnifying glass, paint when sunlight hits the kitchen table. But it is an exercise in endurance. I've already invested nineteen hours. My back hurts. My right hand cramps. My eyes get blurry. So I won't ever climb Mount Everest, but I will soon have finished a perfectly dreamy Japanese Garden for Mariela Sinti. White curtains will be hanging on each side of the open window. Mariela will point to the lake and remember the carefree days of her pre- teens.




This is the picture on the front of the Paint by Number box




This is what I have "painted" in nineteen hours.

Tuesday, October 2, 2012

Photos of West Liberty, Iowa




Downtown West Liberty, Calhoun Street



Downtown West Liberty New Strand Theatre



Heritage Park, "Motel" built in 1922?




Heritage Park Train Depot




Heritage Park - One Room School House and Train Depot


Mr. Koelln in front of "motel" (one room accommodation for travelers)



Barn at Heritage Park in West Liberty



Very nice walk- and cycling path between Heritage Park and High School



Walking and cycling path



West Liberty High School



West Liberty High School



West Liberty High School



West Liberty High School



Heritage Park detail of whatever the next photo depicts



Heritage Park



Heritage Park

Great Plains Puppet Train - Part 1







On Friday morning, September 21, 2012, Mariela hangs from the lampshade in room 44 of our motel, the Presidential Inn, in West Branch, Iowa. I gather my purse, sweater, water bottle, and name tag, slipping its black, elastic string over my head, displaying the laminated card proudly, like a new necklace. I read the words with a smile.

"Gisela Foster" it says, "Great Plains Puppet Train; 2012 Puppeteers of America Regional Festival." I add silently: all you can carry inspiration, practical advice, hands on workshops from morning to night, a variety of puppet shows and films and a children's festival.

The eight mile ride into West Liberty is a wonderful introduction into the world of puppetry by none other than the outgoing president of Puppeteers of America, Anna Vargas. The day before I had been picked up at the Cedar Rapids Airport by Justin Cornett-Olsson, a local puppeteer apprentice, who had waited patiently for me after dropping off his wife and child. Later the young lady in charge at the motel quickly prepared a room for me though it was only ten in the morning and check-in time was not until 3pm. After a very long nap I contacted Cara McFerren, the Assistant Festival Director, to inquire about transportation and was told that Anna would be staying at the same motel and would give me a ride to the Methodist Church in West Liberty where most of the workshops and meals would take place.

And so my three days at the Puppet Festival begin with dinner and a show on Thursday evening, great conversations with veteran puppeteers, and light entertainment by artists with enormous enthusiasm.

On Friday morning, after breakfast I attend two workshops, both tremendously interesting to me. The first one, "One Person Library Shows" is held by Anitra Steele. The second one, "Preschoolers: Puppets and Pretending" features Carol Taylor.



Anitra Steele calls all children to pay attention


Anitra's puppets entertain the children


What I gain from the two women's experience is an understanding of the importance of puppetry for small children. I gather from the group of preschoolers in attendance that a child will pay attention to the words as well as the movement of a puppet. The little ones learn cooperation, gather math skills, sing, exercise, display independent thinking, and most of all, they have a lot of fun. More than once they laugh out loud, respond enthusiastically to the commands of "wiggle, wiggle, wiggle," and when asked to share the lines of a song with "those over 16" I see heads turn to inspect us older folks with curiosity.




Carol Taylor demonstrates one of her hand-made puppets

What I also learn, as I slip on a small hot pink glove and anchor two bright green buttons on a piece of elastic around my middle finger, is the fact that almost anything can become a puppet. Indeed, it takes very little to make me into an instant puppeteer, twisting and turning my gloved fist in conversation with an imaginary audience. (A few days later, at home, I take the first glove I find and convert it into a puppet.)




Carol shows us the simplest of ingredients for a puppet


Later I fashion my own simple puppet from a white glove and black buttons

While I watch Carol parade her puppet friends in front of us, I can't help but wish that I had stumbled into this magical world a little sooner. Mariela Sinti would not be confined to the motel room had I learned earlier to redirect my crafting skills from dolls to their stage-friendly cousins, the puppets. I can see myself walking around with a traveling bear attached to my left hand; a bear who likes to appear on the Charles Bridge in Prague, waving to the crowd. Or I might be accompanied by a little red-headed girl with big brown eyes. She wears a lime-green dress with ruffles and has a quick temper. Or, maybe, I would sit at my favorite coffee shop with a wise old owl, who had just finished one of her night flights and is waiting for a cinnamon sprinkled cappuccino. Already I am wildly in love with puppeteering.

The afternoon begins with a satisfying walking taco which I enjoy at a sunny table in Ron de Voo Park. I watch a few puppet films at the New Strand Theatre, visit with Monica Leo, Festival Director and owner of the Owl Glass Puppetry Center, take a long walk up and down the streets of West Liberty, ending up at Heritage Park, where I meet William Koelln who introduces me to the history of West Liberty.



Here I am at Ron de Voo Park


Monica Leo's Owl Glass Theatre



The New Strand Theatre


One Room School House at Heritage Park




Train Depot at Heritage Park



Before dinner, at the United Methodist Church, is a Puppeteers of America general meeting in which Anna Vargas hands over the reign to incoming President Nick Hubbard. After dinner we all proceed to Slip's Saloon and Eatery for a puppet slam. I will never forget the ordinary red pin cushion, coaxed by her very resourceful puppeteer, using lamaze breathing technique and outlandish moans, groans, and cries, as she releases her pins, one by one. ??? Well, you had to be there!

I return to the motel room around ten thirty. Mariela still leans against the lamp. I take her down, walk her across the room, tell her that I had a great day, and wonder if she is up to the amazing feats of puppetry that chase each other in my head.

" You better get some rest,"she says, and I am sure she can read my thoughts. I gently lay her down on the desk and get ready for bed.





Saturday, September 22, 2012

No Time for Details

Yesterday was a long day (8am - 10:00pm) of great workshops, films, a puppetry slam and a two hour walk around town that took me, eventually, to the West Liberty Train Depot where I had an interesting conversation with a historian. But since I have to be ready for the pancake breakfast shortly I will only post a few pics directly from the iPad. Evaluation of all the workshop material and "better pics," downloaded from the camera, will come when I return home.




The preschoolers are watching and responding with giggles and laughs




All it takes for the most basic of puppets




The Owlglass Puppetry Center




West Liberty Train Depot




One room school house




Sunrise over the Presidential Inn in West Branch, Iowa

Friday, September 21, 2012

Steaming Ahead

The Great Plains Puppet Train, fired on by a wonderful, big family of puppeteers, educators, artists, facilitators, helpers, and one curious newcomer and admirer, me, is off to a fascinating start.
With housing and transportation under control and a three hour nap behind me, I joined the group Thursday evening for dinner and two excellent performances.

A one woman shadow puppet show, Calliope, gave us the answer to what happens "When Night Dreams" in three culturally diverse stories projected onto a big screen.

The second show, "Roman Reverie" was a paper or toy theatre production by "Little Blue Moon" in which two puppeteers transported us to Italy and the adventures of two young lovers.

I will go into these performances in more detail later; for now it is off to breakfast and a day of workshops.





Wednesday, September 19, 2012

We wave hello and fly into the puppet world.

This self-promoting thing is kind of fun. Mariela now has her picture on Facebook, on a few postcards, a t-shirt, and a shopping bag. And all she can do is wave her hand and take a few steps.

As I wait for the shuttle driver to take us to the airport, I take a final look at the stage made of PVC pipe and cotton fabric. Mariela's house.

And now we are off. Off to the Great Plains Puppet Train Festival.











Monday, September 17, 2012

Deconstruction







"Am I being deconstructed?"

It is one of the questions Mariela has for me when I take the scarf off to inspect her neck where the hook is attached to the body.

I shake my head.

"Are you using me to figure out your state of mind?" is another one.

"I'm not using you. Not exactly. Well..... maybe it depends on how you look at it. I think that I'm making you into the best puppet you can be. And while I do that, I learn things about myself."

"Like what?"

"For instance, I've learned that I like to transport big projects into little settings. That way I can enjoy places I can't afford to visit frequently, or places that have been lost to the past. I remember the big meadow I made from plastic flowers a few years ago. It looked like the part of Germany where I grew up. Then there was the 100 stuffed rabbits project; I sewed a colony of bunnies because my mother gave away my favorite toy rabbit to another child. As for your place in the scheme of things, right now I'm interpreting a setting I've visited in British Columbia. It will be the backdrop for your tea with Dr. Steinfeld. There is a garden behind a big window and the room is full of flower pots. And you, my dear, will be the princess who reigns supreme in this little paradise."

She twirls and bows. Her hair flames.

"What else? What else did you learn from parading me around?"

"I enjoy bright yellow and royal blue together. I love red hair. I wish I could sing. I am impatient but try to persist. I have a wonderful time imagining different lives."

"Why do you need me for that? "

"You're my medium. Just like Madam X, the mannequin, was. Or Sammy Lucius Putnam, the frog. Isabelle, the toddler doll. Sunlit Cloud, the shaman. Tyana J LittleString, the traveling bear. I sort facts, eliminate old concepts, add new ideas through you. When I look at you I see the details of my life better than if I just sat and thought about them. It's like snipping myself apart and sewing tiny pieces of me into you, so they can grow and let you dream and live happily ever after.


"You ARE deconstructing."

I'm deconstructing ME. Not you.

She shakes her head. I notice the sadness in her eyes at the same time as her lips part into a slightly mocking grimace.


"Same thing."